Portal:Heraldry
History
Ancient Egypt- Ancient Germanic Culture
- Ancient Greece
- Ancient Japan
- Ancient Near East
- Ancient Rome
- Anglo-Saxon England
- Archaeology
- Austria-Hungary
British Empire
- Bulgarian Empire
- Byzantine Empire
- Classical Civilisation
- Colonialism
- Crusades
- Dacia
- Disasters
- German Empire
- Heraldry
- History of Canada
History of science
- Imperial China
- Indian independence movement
- Khitan
- Latter Day Saint movement
- Middle Ages
- Mughal Empire
- New France
- Ottoman Empire
- Russian Empire
- Sasanian Empire
- Seljuk Empire
- Soviet Union
War
Welcome to the Heraldry and Vexillogy Portal!
Vexillology (from the Latin vexillum, a flag or banner) is the scholarly study of flags, including the creation and development of a body of knowledge about flags of all types, their forms and functions, and of scientific theories and principles based on that knowledge. Flags were originally used to assist military coordination on the battlefield, and have evolved into a general tool for signalling and identification, particularly identification of countries.
Heraldry encompasses all of the duties of a herald, including the science and art of designing, displaying, describing and recording coats of arms and badges, as well as the formal ceremonies and laws that regulate the use and inheritance of arms. The origins of heraldry lie in the medieval need to distinguish participants in battles or jousts, whose faces were hidden by steel helmets.
Lua error in package.lua at line 80: module 'Module:Box-header/colours' not found. Ireland King of Arms was the title of an Irish officer of arms from 1392 until the accession of Henry VII as King of England in 1485. The office was replaced in 1552 by that of Ulster King of Arms, which in 1943 was merged with Norroy King of Arms forming the present office of Norroy and Ulster King of Arms. In theory, Ireland King of Arms enjoyed heraldic jurisdiction in the whole of the Lordship of Ireland. (more...)
Lua error in package.lua at line 80: module 'Module:Box-header/colours' not found.
Polish national law defines flags either through an act of parliament or a ministerial ordinance. Apart from the national flag, these are mostly military flags, used by one or all branches of the Polish Armed Forces, especially the Polish Navy. Flags flown by vessels of non-military uniformed services are also included in the list.
Most of the flags feature white and red, the national colors of Poland. The national colors, officially adopted in 1831, are of heraldic origin and derive from the tinctures (colors) of the coats of arms of Poland (the White Eagle) and Lithuania (the Pursuer). Additionally, some flags incorporate the White Eagle itself, either identical with that of the national coat of arms or one of its variants, known as military eagles, used by the Armed Forces. (more...)
Lua error in package.lua at line 80: module 'Module:Box-header/colours' not found.
Mateiu Ion Caragiale March 25 [O.S. March 12] 1885-January 17, 1936) was a Romanian poet and prose writer, best known for his novel Craii de Curtea-Veche, which portrays the milieu of boyar descendants before and after World War I. Caragiale's style, associated with Symbolism, the Decadent movement of the fin de siècle, and early modernism, was an original element in the Romanian literature of the interwar period. In other late contributions, Caragiale pioneered detective fiction locally. The scarcity of writings he left is contrasted by their critical acclaim and a large, mostly posthumous, following, commonly known as mateists.
Also known as an amateur heraldist and graphic artist, Caragiale discovered a passion for history and heraldry while at Sfântul Gheorghe College in Bucharest, when he would fill his notebooks with sketches of blazons. Caragiale studied Romanian heraldry and, to this goal, read Octav-George Lecca's Familii boiereşti române ("Romanian Boyar Families"). Many of the comments added by him to his copy of the book are polemic, sarcastic, or mysterious, while the sketches he made on the margin include portrayals of boyars being put to death in various ways, as well as caricatures (such as a blazon displaying a donkey's head, which he mockingly assigned to Octav-George Lecca himself). Caragiale's interest in heraldry and genealogy mirrored his tastes and outlook on the world, which have been described as "snobbery", "aestheticism", and "dandyism". (more...)
Lua error in package.lua at line 80: module 'Module:Box-header/colours' not found.
Flags used by the German Kaiserliche Marine (Imperial Navy), 1892.
Lua error in package.lua at line 80: module 'Module:Box-header/colours' not found.
- ...that the triskelion (pictured) in MacLeod heraldry originates from a belief that the clan's founder, Leod, was a son of a king of Mann?
- ...that Charles St Clair, 17th Lord Sinclair was both York Herald and a Scottish Peer, so he could attend the State Opening of Parliament in either capacity?
- ...that the horseman depicted on the coat of arms of Moscow was not identified with Saint George until the 18th century?
- ...that Togolese painter and sculptor Paul Ahyi, who designed the flag of Togo, was inducted as a UNESCO Artist for Peace in 2009?
- ...that the Treaty of Grimnitz allowed Brandenburgian prince-electors to touch Pomeranian flags?
![]() |
![]() |
![]() |
Portal:History | Portal:Visual arts | Portal:War |
|
Media on Commons • Coats of arms • Flags • Heraldry
- What are portals?
- List of portals
- Featured portals