An Unmarried Woman
An Unmarried Woman | |
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File:Unmarried woman.jpg | |
Directed by | Paul Mazursky |
Produced by | Paul Mazursky Anthony Ray |
Written by | Paul Mazursky |
Starring | Jill Clayburgh Alan Bates Michael Murphy Cliff Gorman |
Music by | Bill Conti |
Cinematography | Arthur J. Ornitz |
Distributed by | 20th Century Fox |
Release dates
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Running time
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125 minutes |
Country | United States |
Language | English |
Budget | $2,515,000[1] |
Box office | $24,000,000[2] |
An Unmarried Woman is a 1978 American romantic comedy-drama film written and directed by Paul Mazursky and starring Jill Clayburgh, Alan Bates and Michael Murphy. The film was nominated for three Academy Awards: Best Picture, Best Original Screenplay, and Best Actress (Clayburgh).
Plot
Erica Benton is in a seemingly happy marriage to Martin, a successful businessman. They live together with their teenage daughter Patti in an upscale West Side apartment. Martin, however, has been having a year-long affair with a much younger woman; when he confesses to Erica that he loves his mistress and wants to marry her, Erica is devastated, and Martin moves out.
With the help of Patti, her circle of close friends, and a therapist, Erica slowly comes to terms with the divorce and begins to get her life back on track. She reluctantly tries dating again, but after Martin's betrayal and a disastrous blind date is even warier of ever finding a "good" man again. Her mistrust of men threatens her relationship with Patti, as she takes out her frustrations on Patti's boyfriend, Phil. Out of desperation, Erica sleeps with Charlie, an obnoxious, chauvinistic co-worker, but does not find the experience fulfilling.
As she grows more accustomed to her new life, she meets Saul, an abstract painter, and begins a relationship with him. Both value their independence and so have a difficult time adjusting to domestic life; when Patti meets Saul, she is initially hostile, believing Erica is trying to bring him in to replace Martin, which Saul assures Patti he does not want to do. Saul tries to convince Erica to come with him to his home in Vermont for the summer, where he spends five months every year with his children, but she refuses, not wishing to leave her daughter and her life behind for so long.
After a few tense meetings, Martin and Erica begin to act cordially towards each other, only for Martin to reveal that his girlfriend has left him and he wants Erica back. Erica rebuffs him.
Cast
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- Jill Clayburgh as Erica Benton
- Alan Bates as Saul Kaplan
- Michael Murphy as Martin Benton
- Cliff Gorman as Charlie
- Pat Quinn as Sue Miller
- Kelly Bishop as Elaine Liebowitz
- Lisa Lucas as Patti Benton
- Linda Miller as Jeannette Lewin
- Andrew Duncan as Bob
- Daniel Seltzer as Dr. Jacobs
- Matthew Arkin as Phil
- Penelope Russianoff as Tanya Berkel
- Novella Nelson as Jean Starret
- Raymond J. Barry as Edward Thoreaux
- Ivan Karp as Herb Rowan
- Jill Eikenberry as Claire
The abstract expressionist paintings in the film were created by artist Paul Jenkins, who taught Alan Bates his painting technique for his acting role.[3]
Awards and honors
It was nominated for three Academy Awards including Best Picture, Best Actress (Clayburgh) and Best Writing, Screenplay Written Directly for the Screen. Mazursky's screenplay won awards from the New York Film Critics Circle and the Los Angeles Film Critics Association.
Clayburgh won the award for Best Actress at the 1978 Cannes Film Festival.[4]
The film was also nominated for several 1978 New York Film Critics Circle Awards, including Best Film, Best Direction, and Best Actress (Clayburgh).[5]
The film is recognized by American Film Institute in these lists:
- 2006: AFI's 100 Years...100 Cheers – Nominated[6]
Reception
Vincent Canby in The New York Times wrote "Miss Clayburgh is nothing less than extraordinary in what is the performance of the year to date. In her we see intelligence battling feeling – reason backed against the wall by pushy needs."[7]
Pauline Kael in The New Yorker wrote: <templatestyles src="Template:Blockquote/styles.css" />
An Unmarried Woman may give Mazursky the popular success that his films Blume in Love, Harry and Tonto and Next Stop, Greenwich Village should have given him – Erica, the heroine, sleeps in a T-shirt and bikini panties. There are so few movies that deal with recognizable people that this detail alone is enough to pick up one's spirits... Jill Clayburgh has a cracked, warbly voice – a modern polluted-city huskiness... When Erica's life falls apart and her reactions go out of control, Clayburgh's floating, not-quite-sure, not-quite-here quality is just right.[8]
As of January 2022[update], An Unmarried Woman holds a rating of 90% on Rotten Tomatoes based on twenty-nine reviews. The site's consensus states: "Jill Clayburgh is wondrous as a woman who loses her marriage -- only to find herself -- in this acutely observed and lived-in portrait of New York City life."[9]
References
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External links
- Lua error in Module:WikidataCheck at line 28: attempt to index field 'wikibase' (a nil value). An Unmarried Woman at IMDb
- An Unmarried Woman at Rotten Tomatoes
- An Unmarried Woman Overview
- Vincent Canby Review
- An Unmarried Woman: The Business of Being a Woman an essay by Angelica Jade Bastién at the Criterion Collection
- ↑ Aubrey Solomon, Twentieth Century Fox: A Corporate and Financial History, Scarecrow Press, 1989 p258
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- ↑ Fox, Margalit and Dennis Hevesi contributed reporting, "Jill Clayburgh Dies at 66; Starred in Feminist Roles", The New York Times, November 5, 2010. Retrieved 2010-11-05.
- ↑ Reprinted in review collection, When the Lights Go Down, Pauline Kael
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- Pages with reference errors
- Articles with short description
- Pages with broken file links
- 1978 films
- English-language films
- Articles containing potentially dated statements from January 2022
- Articles with invalid date parameter in template
- 1978 comedy-drama films
- 20th Century Fox films
- American comedy-drama films
- 1970s English-language films
- 1970s feminist films
- Films scored by Bill Conti
- Films directed by Paul Mazursky
- Films set in New York City