Angel Unchained

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Angel Unchained
Angel Unchained 1970 poster.jpg
Theatrical release poster
Directed by Lee Madden
Produced by American International Pictures
Screenplay by Jeffrey Alan Fiskin
Starring Don Stroud
Luke Askew
Larry Bishop
Tyne Daly
Aldo Ray
Music by Randy Sparks
Release dates
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  • September 2, 1970 (1970-09-02)
Running time
86 minutes
Country United States
Language English

Angel Unchained (also known as Hell's Angels Unchained) is a 1970 American action film directed by Lee Madden for American International Pictures and starring Don Stroud as the title character Angel. It was released in the United States on September 2, 1970.[1]

Plot

Following a gang fight, biker Angel (Don Stroud) calls it quits and leaves his gang, the Nomads, in pursuit of a new life. He meets hippie community leader Jonathan Tremaine (Luke Askew), who is running from the anti-hippie townsfolk. Angel is quick to fall in love with another hippie, Merilee (Tyne Daly). When the situation becomes too tough to handle, Angel is forced to ask the Nomads to help out the hippies. They agree to, but their ineptitude to fight calls for him to face the scathing village people alone.

Cast

Production

Also known as Hell's Angels Unchained, Angel Unchained was directed by Lee Madden, written by Jeffrey Alan Fiskin, and produced by American International Pictures.[2] Filming locations included Phoenix, Arizona, and real-life bikers were recruited for the film.[3] Angel Unchained marked the film debut of T. Max Graham, who played Magician.[4]

Release

The film had its United States premiere in August 1970,[5] before being theatrically released nationwide on September 2, 1970.[6] Up till at least December 1971, there were still screenings of Angel Unchained in Gadsden, Alabama.[7] A soundtrack recording was released in 1970 on American International records featuring music composed and sung by Randy Sparks.

Reception

A reviewer of The Nevada Daily Mail considered the film to be an unsuccessful attempt to combine elements of both The Wild Angels and Easy Rider. Although offering that the film was not quite meaningful, he found it to be a "fair motorcycle picture".[8]

See also

References

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External links

  • Gary A. Smith, The American International Pictures Video Guide, McFarland 2009 p 13
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