Once Were Warriors (film)

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Once Were Warriors
File:Once Were Warriors poster.jpg
Theatrical release poster
Directed by Lee Tamahori
Produced by Robin Scholes
Written by Riwia Brown
Based on Once Were Warriors by Alan Duff
Starring Rena Owen
Temuera Morrison
Cliff Curtis
Julian Arahanga
Mamaengaroa Kerr-Bell
Music by Murray Grindlay
Murray McNabb
Cinematography Stuart Dryburgh
Edited by Michael J. Horton
Distributed by Fine Line Features
Release dates
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  • 2 September 1994 (1994-09-02)
Running time
102 minutes
Country New Zealand
Language English
Maori
Box office $1.6 million[1]

Once Were Warriors is a 1994 New Zealand drama film based on New Zealand author Alan Duff's bestselling 1990 first novel.[2] The film tells the story of the Hekes, an urban Māori family, and their problems with poverty, alcoholism, and domestic violence, mostly brought on by the patriarch Jake. The film was directed by Lee Tamahori and stars Rena Owen and Temuera Morrison.[3]

Plot

Beth left her small town and, despite her parents' disapproval, married Jake "the Muss" Heke. After 18 years they live in an unkempt state house in an unnamed New Zealand city and have five children. Their interpretations of life and being Māori are tested. Their eldest daughter, Grace, keeps a journal in which she chronicles events as well as stories she tells her younger siblings.

Jake is fired from his job and is satisfied with receiving unemployment benefit, spending most days getting drunk at the local pub with his friends, singing songs, and savagely beating any patron he considers to have stepped out of line. He often invites crowds of friends from the bar to his home for drunken parties. When his wife "gets lippy" at one of his parties, he brutally attacks her in front of their friends. Beth turns to drink when things go wrong, and has angry outbursts and occasional violence of her own, on a much smaller scale. Her children fend for themselves, resignedly cleaning the blood-streaked house after their father has beat their mother.

Nig, the Hekes' eldest son, moves out to join a gang whose rituals include getting facial tattoos (in Māori culture called tā moko). He is subjected to an initiation beating by the gang members but is then embraced as a new brother, and he later sports the gang’s tattoos. Nig cares about his siblings but despises his father. He is angered when his mother is beaten but deals with it by walking away.

The second son, Mark "Boogie" Heke, has a history of minor criminal offences; he is taken from his family and placed in a foster home as a ward of the state due to his parents' home life. Despite his initial anger, Boogie finds a new niche for himself, as the foster home’s manager Mr. Bennett helps him embrace his Māori heritage. Jake does not care that Boogie was taken away; he comments that it will do him some good, toughen him up a bit. Beth is heartbroken and scrapes money together to visit him. Jake pays for the rental car from gambling winnings but deserts the family to go to the pub, and they never make the journey.

Grace, the Hekes' 13-year-old daughter, loves writing stories. Her best friend is a homeless boy named Toot, who lives in a wrecked car. She despises the future she believes is inevitable and is constantly reminded of getting married and playing the role of a wife, which she believes comprises catering to one’s husband’s demands and taking beatings. She dreams of leaving, and being independent and single.

Grace is raped in her bed by her father’s friend "Uncle Bully", who tells her it is her fault for "turning him on" by wearing her "skimpy little nighty". She becomes depressed and seeks support from her friend Toot, with whom she smokes marijuana for the first time. Toot kisses her, but she reacts violently and storms out, believing he is "just like the rest of them". After wandering through the city streets, Grace comes home to an angry Jake with his friends. Bully asks for a goodnight kiss in front of everyone, to test his power over her. Grace refuses, and her father tears her journal in two and nearly beats her up. She runs out to the backyard crying. Beth returns home from searching for Grace, only to find that she has hanged herself from a tree branch in the backyard.

Jake stays in the pub with his mates, while the rest of the family take Grace's body to a tangihanga. Beth stands up to him properly for the first time as he refuses to let her be taken to the marae. The film cuts back and forth between the mourning, Jake in the pub bottling it up, and the family on the marae. Boogie impresses Beth with his Māori singing at the funeral, and Toot says his goodbyes, telling Grace the gentle kiss was all his gesture meant. Boogie reassures Toot that Grace loved him, and Beth invites Toot to live with them.

Reading Grace’s diary later that day, Beth finds out about the rape and confronts Bully in the pub. Jake at first threatens Beth, but Nig steps between them, protecting his mother. He hands his father Grace’s diary, and Jake reacts by severely beating Bully and stabbing him in the crotch with a glass bottle. Beth blames Jake just as much as Bully, so she leaves and states her intention to take their children back to her Māori village and traditions, defiantly telling Jake that her Māori heritage gives her the strength to resist his control over her. Jake hopelessly sits on a curb outside the pub as the family leaves, with sirens wailing in the background.

Differences between book and film

The book and film follow a roughly similar plot. Three major differences include the role of Beth, the involvement of Nig's gang, and the ending. Additionally, the film takes place in Auckland, whereas the novel is set in the fictional town of Two Lakes, based on Rotorua where Alan Duff grew up. Two Lakes is a literal translation of the Maori Name Rotorua.

In the book, Beth and Jake are roughly equal characters; Beth is flawed but dynamic, and almost as irresponsible as her husband. In the film, Beth is more central, especially because Jake's period of homelessness is omitted from the film; however, her character is less complex.

This difference between the book and the film is illustrated by a key episode in which the family rents a car in order to visit Boogie, but Jake stops at a pub along the way for "one drink". He ends up getting drunk for hours as the family waits in the car. In the book, Beth hires the car using money she has saved by not drinking, but quickly joins Jake in the pub and gets upset only when it is too late to visit Boogie. In the film, Jake wins money gambling on horses and uses it to rent the car. Beth and the children wait in the car outside the bar for several hours before Beth finally calls a cab and takes the children back home without visiting Boogie. Essentially, Beth spends the first three-quarters of the film as a passive character, until Grace's suicide spurs her into leaving Jake, whereas throughout the book she attempts to improve her life.[citation needed]

The subplot concerning Nig's gang is a bigger part of the book than the film. In the book, Nig tries to find a substitute family in the gang, but its members are either too brutal or too beaten down to give him the love and support he craves.[citation needed] In the film, we see little of the gang once Nig is initiated and tattooed. Also, in the book, it is Toot who rejects Grace's advances for affection, as he instinctively realizes they are both too damaged to console each other or explore their childhood love.

A glaring difference between the book and the film is the ending. In the novel, Grace is not sure who raped her but thinks it may have been Jake. She writes this in her diary, and when the rest of the family finds it, they confront Jake. However, he can't remember what happened, because he was too drunk. He then leaves the family, lives in a park, and befriends a young homeless man. Meanwhile, Beth begins a Māori culture group that reinvigorates her community.[citation needed]

Cast

Production

Once Were Warriors is the first feature film produced by Communicado Productions. The production won Best Film at the Durban International Film Festival, Montreal Film Festival, New Zealand Film & Television Awards, and Rotterdam Film Festival. It also became at the time the highest grossing film in New Zealand, surpassing The Piano (1993). Once Were Warriors was nominated for the Grand Prix of the Belgian Syndicate of Cinema Critics.

The film was shot at a local state house, located at 33 O'Connor Street, Otara, in the Auckland metropolitan area. The neighbours of the house used for filming complained on numerous occasions due to the film's late night party scenes.

Reception

Once Were Warriors was critically lauded on release, and the film currently has a rating of 94% on Rotten tomatoes based on 32 reviews with an average rating of 7.7 out of 10.[4]

Roger Ebert gave the film three and a half stars out of four and observed: "Once Were Warriors has been praised as an attack on domestic violence and abuse. So it is. But I am not sure anyone needs to see this film to discover that such brutality is bad. We know that. I value it for two other reasons: its perception in showing the way alcohol triggers sudden personality shifts, and its power in presenting two great performances by Morrison and Owen. You don't often see acting like this in the movies. They bring the Academy Awards into perspective."[5]

A 2014 New Zealand survey voted Once Were Warriors the best New Zealand film of all time.[6]

Sequels

In other media

Once Were the Cast of Warriors (2014) is a documentary film made for the 20th anniversary of the original release of Once Were Warriors.[7] [8]

References

  1. http://www.boxofficemojo.com/movies/?id=oncewerewarriors.htm
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External links

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