Rewind the Film

From Infogalactic: the planetary knowledge core
Jump to: navigation, search
Rewind the Film
File:Manic Street Preachers - Rewind the Film.jpg
Studio album by Manic Street Preachers
Released 16 September 2013
Recorded 2013
Studio
Genre
Length 43:40
Label Columbia
Producer
  • Manic Street Preachers
  • Alex Silva
  • Loz Williams
Manic Street Preachers chronology
National Treasures – The Complete Singles
(2011)National Treasures – The Complete Singles2011		 Rewind the Film
(2013)		 Futurology
(2014)Futurology2014
Singles from Rewind the Film
  1. "Show Me the Wonder"
    Released: 9 September 2013
  2. "Anthem for a Lost Cause"
    Released: 25 November 2013

Rewind the Film is the eleventh studio album by Welsh alternative rock band Manic Street Preachers. It was recorded in 2013 and released on 16 September 2013 by record label Columbia. The sound is very different from previous records and is more acoustic driven. It features guests Lucy Rose, Cate Le Bon and Richard Hawley.

The album debuted and peaked at number 4 in the UK Albums Chart.

Production

Rewind the Film was recorded in the Manics' Faster studio in Cardiff, Rockfield Studios in Monmouthshire, and Hansa Studios in Berlin. In a statement, the band announced, "(If) this record has a relation in the Manics back catalogue, it's probably the sedate coming of age that was This Is My Truth Tell Me Yours."[2]

Rewind the Film is the first of two new albums the Manics recorded in 2013. In February 2013, the band announced via Twitter, "MSP were in the great Hansa Studios in January with Alex Silva (who recorded The Holy Bible with us). Berlin was inspirational... Sean been playing a french horn in the studio today - sounding wonderful."[3]

In May 2013, the Manics announced that they were in the process of recording two new albums simultaneously, with 35 new songs being recorded. Vocalist/lead guitarist James Dean Bradfield told the NME, "We've nearly finished mixing this [the first album]. It's much more acoustic based – I think there's one electric guitar on the entire record. But it's not Campfire Street Preachers, we're not banging boxes or anything... The lead track sounds like a mix between "Rocks Off"-era Stones and Vegas-era Elvis."[4] Bradfield also revealed, "I can tell you that both albums will be very different from each other in terms of style... One will be more acoustic and gentle in nature with lots of horns and a real atlantic soul element to it, while the other's going to be way more spikey with lots and lots of electric guitar on there."[2]

After recording the new material, the Manics embarked on a 3-date concert tour of Australia and New Zealand in June–July 2013, in tandem with the British and Irish Lions rugby union tour of Australia. The Manics did not perform any new songs during this tour; bassist/lyricist Nicky Wire explained,

<templatestyles src="Template:Blockquote/styles.css" />

[the new album is] kinda the exact opposite of what we're doing at the moment... This tour has been kind of raucous, a mixture of rock 'n' roll and rugby, food, pleasure, whereas the album is very melancholic...a lot of interior feelings, very soft for us, very delicate...so we're kinda getting all the rock 'n' roll out of our system on this trip, and then the album is a totally different beast, actually... It's a lot more acoustic, there's lots of acoustic guitars. There's very little of James' electric guitar, which is obviously pretty much our trademark... It's a big thing, he's still going cold turkey through not doing any guitar solos on the album![5]

During "The Lions Tour," the Manics tweeted a photo of a CD with "Manic Street Preachers Rewind The Film 18/6/13" written on it. They also posted the message, "Manics fans might want to listen to 6music Monday morning."[6] The song "Rewind the Film", featuring former Pulp guitarist Richard Hawley, premiered online and on BBC Radio 6 on 8 July 2013. The new album's title and release date were announced officially on the Manics' official website on the same day.

In June 2013, Richard Hawley discussed how he came to work with the Manics:

<templatestyles src="Template:Blockquote/styles.css" />

James just rang me. I've respected him for a long time. I love that [the Manics] stand for something and that they've stood by it, unlike a lot of bands and politicians. I met James at that Shirley Bassey concert because we both wrote songs for her. I was sat at the side of the stage just watching her and completely in awe, then James just came up and tapped me on the shoulder and we just sat together completely enthralled by Ms Bassey. We got chatting afterwards and it turns out that both of our fathers were first-wave teddy boy bikers. You don't meet many other people like that. It was a shared experience we had of growing up with people who were fairly fucking wild. We swapped phone numbers and texted each other occasionally, but he was off having a family and a break while I was away on the road, then he just phoned me and said, "We've written this song and all decided that you have to sing it or it won’t go on the album." So I just said, "I can’t let you down," and it was a great honour I drove down to Cardiff in a day and it's a really beautiful song. I play a bit of Hawaiian guitar on it and it's me and James doing a duet. He sings one part and I sing another. Nick wrote the words I sing and James wrote his bit, so it's a very personal song and I was surprised that Nicky wanted me to sing it, but now that I've done it I can see why. It's quite dramatic and acoustic.[7]

Other guest artists on Rewind the Film include Lucy Rose on the track "This Sullen Welsh Heart" and Cate Le Bon on the track "4 Lonely Roads." The Manics revealed Le Bon's involvement in March 2013, posting, "The brilliant Cate Le Bon has given us a stunning vocal on a new Manics track-Four Lonely Roads-her voice is so pure+beautiful. Very excited."[3] James Dean Bradfield claimed that guest vocalists were brought onto the album as he felt his own voice wasn't good enough for all of the new songs: "I've got a sneaking feeling that I've been singing our songs for so long it's hard to find something new as a vocalist. It's easier as a drummer or a bassist to find a different direction, but if you try to change the sound of your voice, you end up sounding like a dick... And I felt my voice, at this point, was underselling some of the songs. There's no point in having an ego about it. I don't care if someone else is going to sing (the songs). I've had enough props and glory."[8]

The Manics revealed to the NME that the Rewind the Film track "30-Year War" is an anti-Margaret Thatcher song written long before the former Prime Minister's death in 2013. James Dean Bradfield described "30-Year War" as the most "angry" track on the album, and Nicky Wire said, "It starts with the miners' strike and moves through Hillsborough, and it's a critique of the attack on the working classes over the last 30 years. It's the most spiteful, angry track on the album, and it's almost the link to the other record - it sounds like Lodger-era Bowie."[9]

Nicky Wire provided a detailed track-by-track review of Rewind the Film for The Quietus, published online on 4 September 2013.[10] Wire also said, "We wrote '3 Ways to See Despair' for Morrissey but we were too scared to ask him. He's the one person I couldn't bear rejection from. I can take it from most people."[11]

In July 2013, BBC Radio 6 revealed that the second album recorded by the Manics in 2013 is titled Futurology and has a tentative release date of June 2014. Regarding that album, James Dean Bradfield has stated, "It's a lot spikier and shinier. It's much more band-based, a tiny bit of Krautrock influence. It's not like The Holy Bible but there's a bit of the same intent and threat. Lyrically, it's got a European fascination. The landscape of Europe, the malaise of Europe, the malaise of us Brits not feeling part of it. We're not talking like the Tories, don't worry – there's not a song where we opt out of Europe. The lead track is me singing half in English and half in German."[4] Nicky Wire told the NME, "I think by next March or April, we'll have it all ready... It's not just chucking something out; it's really fully formed. It's the next step on from The Holy Bible and Journal for Plague Lovers. It's quite intense but synthetic as well."[9]

Release

Rewind the Film was released in standard and deluxe versions. It was also released digitally and on vinyl.

The deluxe version of Rewind the Film includes a second disc, featuring demo versions of all twelve album tracks, plus live versions of "There by the Grace of God", "Stay Beautiful", "Your Love Alone Is Not Enough", "The Love of Richard Nixon" and "Revol". All live tracks were recorded at the Manics' "A Night of National Treasures" concert at The O2 Arena, London on 17 December 2011. Also released from the same concert were live versions of "Let Robeson Sing" (as a free MP3 download on the Manics' website in June 2013), and "Tsunami" (as a B-side on the "Show Me the Wonder" single).

The album sold around 20.000 copies in the first week of sales, which resulted in debuting and peaking at number 4 in the UK Album Chart, in Ireland the album charted at number 5 and reached the Top 40 in Finland, Germany and Norway.

The Manics supported Rewind the Film with a 7-date tour of the UK and Ireland from 13–29 September 2013.

The first single from Rewind the Film, "Show Me the Wonder", was released on 9 September 2013, a week ahead of the album. "Show Me the Wonder" premiered on the Manics' official website on 22 July 2013. Referencing the song on their Twitter account, the Manics posted, "I think 'show me the wonder' is the 1st ever manics single without JDBs electric guitar on-xx."[12]

In an interview for Digital Spy, Nicky Wire said, "'Show Me the Wonder' came late. It was very natural, we were listening to loads of Elvis, '70s Vegas Elvis, and James just thought he'd come up with a radio hit single. We still think like that, we're not particularly snobbish about it. It's the one song on the album that is very uplifting. It has been a radio hit so I've got to give it to him! It came very late and I think we were a bit nervous about it. But it's got a kind of '70s class about it that sort of fits in. Just about." Wire stated that the album's next single would be either "As Holy as the Soil (That Buries Your Skin)" or "Anthem for a Lost Cause".[11] It was subsequently announced that the second single from Rewind the Film would be "Anthem for a Lost Cause", which was released on 25 November 2013.

Reception

Lua error in package.lua at line 80: module 'strict' not found.

Professional ratings
Aggregate scores
Source Rating
Metacritic 80/100[13]
Review scores
Source Rating
AllMusic 4/5 stars[1]
Clash 8/10[14]
Digital Spy 4/5 stars[15]
Drowned in Sound positive[16]
Gigwise 8/10[17]
The Guardian 4/5 stars[18]
The Independent 5/5 stars[19]
musicOMH 4.5/5 stars[20]
NME 7/10[21]
Q 4/5 stars[22]

Upon the release of the album, it was praised by music critics, receiving very positive reviews. At Metacritic the album holds a score of 80 out of 100, which inidicates "generally favorable reviews", based on 18 reviews.[13]

Andrew Trendell of Gigwise provided a track-by-track review of Rewind the Film on 19 August 2013, summarising the album thus: "While it shares some of the stately grandeur of This Is My Truth, Rewind the Film carries a great deal more adventure, scope, ecclectecism, hope and vibrancy... This isn't the sound of a band resigned to Radio Two playlists and milking the Britpop years to plod-along as pedestrians to fill mid-size venues with acoustic laziness. This is the Manic Street Preachers at their most pragmatic - facing their failures but sounding oh so triumphant. They're still as full of rage as they ever were, but rather than sledgehammering it home by donning a balaclava and setting fire to the Top of the Pops studio, they're comfortably carrying it with them in their DNA. In short: Rewind the Film is a future classic that deserves to be heard and treasured. Long live the Manics."[17]

Brian Boyd of The Irish Times awarded Rewind the Film four stars out of five, writing, "On paper, a mellowed out acoustic Manics might sound perverse and repellent. But Rewind the Film will go down as one of their great works. Instead of ploughing on as a "remember us" Britpop heritage act banging out self-parodying new material, they've found a new plough to furrow here – and brilliantly so... As Ms Jean Brodie would so correctly note: the Manics are very much in their prime."[23]

Mayer Nissim of Digital Spy also rated Rewind the Film four stars out of five, writing, "Rewind the Film is the most un-Manics album to date. Pitched somewhere between This Is My Truth..., Lifeblood and Woody Guthrie's battered acoustic, it successfully re-invents a band who had stumbled a bit too close to self-parody on the last few outings... But leaving aside the detour of Journal for Plague Lovers, this is the first time since Everything Must Go they've managed to really capture and convey such raw emotion."[15]

Another 4/5 rating came from Simon Ramsay of Stereoboard.com, who wrote, "Rewind the Film is one of the Manics' best, bravest albums. It's perfect for those whose loves, losses and despairs have caught up with them. Although dark, an overriding sense of catharsis comes from knowing that someone else is going through exactly the same struggles."[24]

Sam Shepherd of musicOMH wrote that "on the surface, [Rewind the Film] is the most accessible album the Manics have ever released. There's barely an electric guitar on the album, the band favouring acoustic guitars, smart string arrangements and brass accompaniment. This might sound safe but the weight of this album is within the lyrics... It's safe to say that this is at times a confusing album but not one borne of midlife crisis... For now they're on the middle ground between accepting their past and rejecting it... Despite the heavy tone of the lyrics, there is plenty of melody to be found throughout the album... [This] is an album that finds the Manics in fine form. They might not be able to live over again, but if they keep on like this, their story is far from concluded."[20]

Clash magazine also reviewed Rewind the Film very positively, giving the album a score of eight out of ten stars. Gareth James wrote, "After opening with the line "I don't want my children to grow up like me" free of any accompaniment, the electric guitar is banished, while Cate Le Bon and Richard Hawley guest elsewhere. The biting nostalgia of middle age runs throughout the lyrics and the band's desire to produce something akin to Automatic for the People is largely fulfilled."[14]

Adam Cook from Seen It Heard It wrote a track-by-track review of Rewind the Film and gave the album 4.5/5 stars, writing, "You could excuse it, really, if a band who had constantly reinvented themselves year after year were to rest on their laurels – it'd be completely forgiveable. But Rewind the Film is anything but the sound of a tired band, no, if anything this is the Manic Street Preachers at their most powerful, their most confident. Lyrical barbs are fired from Nicky Wire's pen, and despite the stripped back nature of a few tracks, this is one of the best albums you'll hear in 2013." Praising the album lyrically and musically, Cook concluded that "(...) make no mistake, this band are as important as they've ever been, and this is a phenomenal album, full of unique soundscapes, terrific lyrics and fantastic musicianship."[25]

Rewind the Film also received a positive review from Marc Burrows of Drowned in Sound, who wrote, "The best Manics songs are the sad ones, the ones we're not supposed to like: the bleak, the melancholy and the beautiful. It's an element that's been in their DNA since the very beginning; a peculiarly Welsh rain-soaked misery that undercuts some of their bolshiest, brattiest moments... Their new album, Rewind the Film embraces it fully, dripping a slow, resigned sadness. There's no false bravado, no attempts to recapture lost youth, it's a record about ageing, accepting and mourning and in doing so, in a still and sad way, celebrating what you have lost. It's the best thing they've done in a decade."[16]

Andy Gill of The Independent rated Rewind the Film five stars out of five, writing that the album "finds the Manics grasping the nettle of age, defeat and alienation with the same partisan persistence that marked their tyro ragings, albeit tempered with the contemplative spirit of maturity. It's unlike any other Manics album in its emphasis on acoustic modes, crepuscular tones and reflective melodies...it reveals a broader musical and emotional palette than they've exposed before."[19]

Awarding the album a 7/10 rating, Jamie Fullerton of the NME described it as "a subtle, satisfying record that showcases their continuing ability to soar, albeit without digging anywhere near as deep as their politico-punk-pop totems, 1992’s Generation Terrorists and 1996’s Everything Must Go. Musically, it's their safest album yet... Legacy-wise, though, it could be their most unsafe album."[21]

The album hails the beginning of chapter 3 in the history of the band (the first having ended with Richey Edwards' disappearance, the second - with the National Treasures singles collection release and the December 2011 concert in The O2 Arena), according to Niall Doherty of Q. "Rewind the Film emerges hazy and delicate, as if creators have just awoken from a long, deep sleep, distant memories of themselves coming back slowly in focus," the critic wrote, giving it a 4/5 rating.[22]

Track listing

All songs written and composed by James Dean Bradfield, Nick Jones, Sean Moore except where noted. 

No. Title Writer(s) Length
1. "This Sullen Welsh Heart" (featuring Lucy Rose)   4:13
2. "Show Me the Wonder"     3:19
3. "Rewind the Film" (featuring Richard Hawley) Bradfield, Moore, Jones, David Axelrod 6:37
4. "Builder of Routines"     2:29
5. "4 Lonely Roads" (featuring Cate Le Bon)   2:55
6. "(I Miss the) Tokyo Skyline"     3:47
7. "Anthem for a Lost Cause"     3:53
8. "As Holy as the Soil (That Buries Your Skin)"     3:21
9. "3 Ways to See Despair"     3:17
10. "Running Out of Fantasy"     4:10
11. "Manorbier"     4:32
12. "30-Year War"     5:08
Total length:
 43:40

Personnel

<templatestyles src="Div col/styles.css"/>

Manic Street Preachers
Additional personnel
  • Loz Williams - keyboards (1, 4-8, 10-11); production, additional production (4, 10); engineering, mixing (1, 5)
  • Guy Massey - mixing (2, 4, 6-11)
  • Alex Silva - production (4, 10); additional production (9)
  • Dave Eringa - mixer (3, 12)
  • Lucy Rose - vocals (1)
  • Gavin Fitzjohn - horn arrangement (2, 7); baritone and tenor saxophone (2); trumpet (2, 7)
  • John Rey - piano (2)
  • Richard Hawley - lead vocals (3); Hawaiian guitar (3)
  • Andy Walters and Joanna Walters - violin (3)
  • Barnard Kane - viola (3)
  • Nathan Stone - cello (3)
  • Tim Tautorat - celeste (4); string arrangement (10); violin (10); keyboards (10)
  • Cate Le Bon - lead vocals (5)
  • Sean Read - horn arrangement (7, 8); trumpets (7, 8); saxophone (8)
  • Nick Nasmyth - keyboards (12)
  • Tim Young - mastering

Charts

Charts (2013) Peak
position
UK Albums (OCC)[26] 4
Austrian Albums (Ö3 Austria)[27] 62
Belgian Albums (Ultratop Flanders)[28] 74
Czech Albums (ČNS IFPI)[29] 28
Dutch Albums (MegaCharts)[30] 62
Finnish Albums (Suomen virallinen lista)[31] 27
German Albums (Offizielle Top 100)[32] 31
Irish Albums (IRMA)[33] 5
Japanese Albums (Oricon)[34] 77
Norwegian Albums (VG-lista)[35] 31
Spanish Albums (PROMUSICAE)[36] 47
Swiss Albums (Schweizer Hitparade)[37] 51

European Charts

Year Chart Position
2013 European Albums Chart 33

References

  1. ↑ 1.0 1.1 Lua error in package.lua at line 80: module 'strict' not found.
  2. ↑ 2.0 2.1 Lua error in package.lua at line 80: module 'strict' not found.
  3. ↑ 3.0 3.1 Lua error in package.lua at line 80: module 'strict' not found.
  4. ↑ 4.0 4.1 Lua error in package.lua at line 80: module 'strict' not found.
  5. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  6. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  7. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  8. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  9. ↑ 9.0 9.1 Lua error in package.lua at line 80: module 'strict' not found.
  10. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  11. ↑ 11.0 11.1 Lua error in package.lua at line 80: module 'strict' not found.
  12. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  13. ↑ 13.0 13.1 Lua error in package.lua at line 80: module 'strict' not found.
  14. ↑ 14.0 14.1 Lua error in package.lua at line 80: module 'strict' not found.
  15. ↑ 15.0 15.1 Lua error in package.lua at line 80: module 'strict' not found.
  16. ↑ 16.0 16.1 Lua error in package.lua at line 80: module 'strict' not found.
  17. ↑ 17.0 17.1 Lua error in package.lua at line 80: module 'strict' not found.
  18. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  19. ↑ 19.0 19.1 Lua error in package.lua at line 80: module 'strict' not found.
  20. ↑ 20.0 20.1 Lua error in package.lua at line 80: module 'strict' not found.
  21. ↑ 21.0 21.1 Lua error in package.lua at line 80: module 'strict' not found.
  22. ↑ 22.0 22.1 Doherty, Niall, Q. October 2013 issue. New Albums reviews. Picture Perfect. A new lease of life for the Welsh trio. P.101
  23. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  24. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  25. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  26. ↑ "Manic Street Preachers | Artist | Official Charts". UK Albums Chart Retrieved 18 November 2013.
  27. ↑ "Austriancharts.at – Manic Street Preachers – {{{album}}}" (in German). Hung Medien. Retrieved 18 November 2013.
  28. ↑ "Ultratop.be – Manic Street Preachers – {{{album}}}" (in Dutch). Hung Medien. Retrieved 18 November 2013.
  29. ↑ "Czech Albums – Top 100". ČNS IFPI. Note: On the chart page, select {{{date}}} on the field besides the word "Zobrazit", and then click over the word to retrieve the correct chart data. Retrieved 18 November 2013.
  30. ↑ "Dutchcharts.nl – Manic Street Preachers – Rewind the Film" (in Dutch). Hung Medien. Retrieved 18 November 2013.
  31. ↑ "Manic Street Preachers: Rewind the Film" (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved 18 November 2013.
  32. ↑ "Longplay-Chartverfolgung at Musicline" (in German). Musicline.de. Phononet GmbH. Retrieved 18 November 2013.
  33. ↑ "GFK Chart-Track Albums: Week {{{week}}}, {{{year}}}". Chart-Track. IRMA. Retrieved 18 November 2013.
  34. ↑ "Oricon Top 50 Albums: 2013-09-28" (in Japanese). Oricon. Retrieved 18 November 2013.
  35. ↑ "Norwegiancharts.com – Manic Street Preachers – Rewind the Film". Hung Medien. Retrieved 3 January 2014.
  36. ↑ "Spanishcharts.com – {{{artist}}} – {{{album}}}". Hung Medien. Retrieved 18 November 2013.
  37. ↑ "Swisscharts.com – Manic Street Preachers – Rewind the Film". Hung Medien. Retrieved 18 November 2013.

External links

Retrieved from "https://infogalactic.com/w/index.php?title=Rewind_the_Film&oldid=719513794"