Substitution (poetry)
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In English poetry substitution, also known as inversion, is the use of an alien metric foot in a line of otherwise regular metrical pattern.[1] For instance in an iambic line of "da DUM", a trochaic substitution would introduce a foot of "DUM da".
Trochaic substitution
In a line of verse that normally employs iambic meter, trochaic substitution describes the replacement of an iamb by a trochee.
The following line from John Keats' To Autumn is straightforward iambic pentameter:[2]
- To swell the gourd, and plump the hazel shells
Using '°' for a weak syllable, '/' for a strong syllable, and '|' for divisions between feet it can be represented as:
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To | swell | | | the | gourd, | | | and | plump | | | the | ha- | | | zel | shells |
The opening of a sonnet by John Donne demonstrates trochaic substitution of the first foot ("Batter"):
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Bat- | ter | | | my | heart | | | three- | per- | | | soned | God, | | | for | you | | |
Donne uses an inversion (DUM da instead of da DUM) in the first foot of the first line to stress the key verb, "batter", and then sets up a clear iambic pattern with the rest of the line
Shakespeare's Hamlet includes a well-known example:
To be, or not to be: that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune'
Here, that is emphasized rather than is, which would be a wrenched, or unnatural accent. The first syllable of Whether is also stressed, making it a trochaic beginning.
References
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External links
The dictionary definition of anaclasis at Wiktionary
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