The Burgomeister (film)

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The Burgomeister
Directed by Harry Southwell
Produced by Harry Southwell
Written by Denzil Batchelor
Based on the play The Bells adapted by Leopold Lewis
from the play Le Juif Polonais by Erckmann-Chatrian
Starring Janet Ramsey Johnson
Music by Isador Goodman
Cinematography George Heath
Edited by William Shepherd
Production
company
Film Players Corporation
Distributed by Scott Films
Release dates
29 September 1935
Running time
56 mins
Country Australia
Language English
Budget ₤10,000[1]

The Burgomeister is a 1935 Australian film directed by Harry Southwell based on the play The Bells by Erckmann-Chatrian adapted by Leopold Lewis, previously filmed in 1911.

It is considered a 'substantially lost' film, with only one sequence surviving.[2][3]

Cast

  • Harry Southwell as Mathias
  • Janet Ramsey Johnson as Annette
  • Muriel Meredith as Catherine[4]
  • Lily Molloy as Sozel
  • Stan Tolhurst as the Polish Jew
  • Gabriel Toyne as Fritz
  • Ross Vernon as Christian
  • Harold Meade as Father Walter
  • Bertie Wright as Heinrich
  • Leslie Victor as Hans
  • Judy Eccles as Baby Annette
  • Paul Furness as hypnotist
  • James Toohey as witness
  • Jane Munro as Marie
  • Alf Scarlett
  • Reginald Riddell

Production

Southwell had performed the play in Europe, and filmed it in Belgium (1925) as Le juif polonais.[5]. This film version was shown in Australia in 1928.[6][7]

Southwell wanted to make the movie for less than £4,000.[8] He formed a production company in April 1935 called Film Players Corporation. Among its directors were Sir John Butters, a director of Associated Newspapers, and W.J. Bradley, K.C. and society figure George Rayner.[1][9]

Production began in June 1935 at Cinesound's Bondi studios.[10][11] It ended in July with a cost of ₤10,000.[12]

The original music score was by Isador Goodman, and costumes by Barbara Robison.[13] Rupert Kathner worked as art director.

The final scenes of the film were shot in the snow on Mount Kosciuszko. Cameraman George Heath worked under difficult conditions including freezing cold and a blizzard.[14]

Release

During pre-production, RKO signed to distribute the movie in Australia and Britain.[15] The film was refused registration under the quality clause of the New South Wales Film Quota Act.[16]

It was previewed on 29 September 1935[17] but was not screened commercially. This caused the investors to lose their money, an event which was blamed on scaring Australian investors away from putting their money into local films.[18]

A re-edited version of the film called Hypnotised screened in some country areas. In 1937 the move was released in the UK as Flames of Conscience.[1]

References

  1. 1.0 1.1 1.2 Andrew Pike and Ross Cooper, Australian Film 1900–1977: A Guide to Feature Film Production, Melbourne: Oxford University Press, 1998, 171.
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External links


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