Walter Tapper

Sir Walter Tapper
File:Walter tapper.jpg Walter Tapper
Born	(1861-04-21)21 April 1861 Bovey Tracey, Devon
Died	Dean's Yard, Westminster
Nationality	British
Occupation	Architect
Awards	ARIBA (1889); FRIBA (1912); President of the Royal Institute of British Architects, 1927–29; ARA (1926) FSA; KCVO (1935)
Practice	Bodley and Garner; Tapper
Buildings	Church of the Resurrection, Mirfield (1908) Church of the Annunciation, Marble Arch (1912–13)
Projects	Liverpool Cathedral design competition (1901–03)

Sir Walter Tapper (1861–1935) was a British architect known for his work in the Gothic Revival style and a number of church buildings. He worked with some leading ecclesiastical architects of his day and was President of the Royal Institute of British Architects. Tapper was appointed Surveyor of the Fabric at Westminster Abbey and acted as consulting architect to York Minster and Manchester Cathedral. On his death in 1935 his son Michael Tapper completed some of his works.

Life and career

Walter Tapper was born in Bovey Tracey, Devon in 1861. Little is known of his early life, but from the age of thirteen he served his articles at Rowell & Sons, an architects' practice in nearby Newton Abbot. He then moved to London and after a brief period working for Basil Champneys, joined Bodley & Garner, the firm of prominent Gothic Revival architects G.F. Bodley, Thomas Garner, working alongside another budding Gothic Revival architect, Ninian Comper. While working there Tapper began a romantic relationship with Katherine Jotcham, a showroom assistant at Watts & Co, a church furnishing company which had been founded by Bodley and Garner along with fellow Gothic revivalist George Gilbert Scott. In 1886 he married Catherine Jotcham, who was apparently pregnant – a few months later their first child was born. The couple had two children: a son, Michael, in 1886 (who grew up to become an architect himself), and a daughter, Kathleen, who was born in 1889.

Faced with the responsibility of fatherhood in his mid-twenties, Tapper put off the financial risk of going into business on his own and remained with Bodley & Garner for eighteen years, rising to the role of manager. Throughout this time, he maintained a close business relationship with Watts & Co, procuring furnishings for church projects.

In 1900 Tapper started his own practice, beginning his independent work in Grays Inn but later moving to St John's Wood, where he worked from his own home at 10 Melina Place.

In 1927–8 Tapper served as the President of the Royal Institute of British Architects. His presidential address of 1927 was critical of modern consumerism and mass production, and Tapper cited the absence of a "national virtue of dignity" as detrimental to architectural greatness.

In 1928 Tapper was appointed Surveyor to the Fabric of Westminster Abbey. His work there included much restoration work and designing additions to the building, including a new gallery above the roof of the east cloister to connect the Abbey Library with the Muniment Room. Tapper was greatly occupied with the conservation of deteriorating stonework which had been damaged by pollution; the Henry VII Lady Chapel became a particular problem in 1932 when falling masonry forced its closure on grounds of safety. Tapper repaired and restored the chapel, and as part of the project designed a new altar for the chapel, based on the original altar which had been designed in 1517 by the Italian sculptor Pietro Torrigiano but was destroyed during the Restoration. Tapper's reconstruction included parts of Torrigiano's original which had been preserved in the Ashmolean Museum in Oxford and the original baldachino, framing a painting of the Madonna and Child by Bartolommeo Vivarini (c.1480).

Katherine died suddenly in 1932, and the grieving Walter, unable to remain in the family home without her, was given accommodation in Dean's Yard, next to Westminster Abbey. Tapper remained in his post at Westminster Abbey until his death in 1935. One month before he died, he was made a Knight Commander of the Royal Victorian Order by King George V. Tapper's grave is in the west cloister of the Abbey and bears the inscription

WALTER JOHN TAPPER K.C.V.O., R.A. 1861–1935 SURVEYOR TO THE FABRIC 1928–1935

As well as the stylistic influences of his contemporaries in architectural practice, Tapper was also affected by the writings of John Ruskin and the Aesthetic movement. He often spoke about love to explain his artistic philosophy, and associated beauty (especially that of medieval architecture) with love and goodness. Tapper was deeply religious, and aimed to express divine and human love through his architecture.

Buildings

File:Annunciation Marble Arch interior.jpg

Interior of Tapper's Church of the Annunciation at Marble Arch (1912–13)

Tapper's first independent church project was the Church of the Ascension at Malvern Link in Worcestershire (1903). This Grade-II listed structure was designed in the Early English style with lancet windows and features a stone relief of the Ascension by Harry Hems.

In 1901 Tapper submitted an entry into the design competition for Liverpool Cathedral which was assessed by G.F. Bodley and Norman Shaw; Tapper was shortlisted for the final along with four other submissions from Austin & Paley, C. A. Nicholson, Malcolm Stark and Giles Gilbert Scott. Scott's design was selected in 1903, but Tapper's scheme was highly regarded; Sir Charles Herbert Reilly, whose entry for the design competition was also unsuccessful, wrote of Tapper's rejected design, "it seemed to me one of the finest architectural conceptions I had ever seen. I had no idea... that Gothic architecture could be used with such breadth and spaciousness combined with such delicacy and romance."

In 1905 Tapper was commissioned to build a large Romanesque-style church to serve the growing population of Southend-on-Sea in Essex. His church, dedicated to St Erkenwald, was built of yellow stock brick and featured a large rose window and flying buttresses. Its grand design and exceptionally large dimensions were intentionally aspirational, as the church was said to have been built with the intention of eventual elevation to cathedral status. In the end, St Erkenwald's proved to be surplus to requirements; with dwindling church attendance the church was eventually closed in 1978 and became derelict. Following a fire, the church was demolished in 1995 to make way for residential property development.

One of his notable architectural achievements is the Church of the Resurrection, at the Mother House of the eponymous Community of the Resurrection, at Mirfield, West Yorkshire. Only the eastern portion of the church was built to Tapper's highly ambitious design which, had it been completed, would have produced a monastic church of a scale hardly seen in England since the Reformation. Begun in 1908, building was stopped because of shortage of funds and by design problems. It was eventually completed by Michael Tapper as a memorial to Charles Gore, theologian, bishop (of Worcester, then Birmingham, then Oxford) and founder of the Community, and whose mortal remains lie in a fine tomb within its walls.

Tapper's Church of the Annunciation, Marble Arch in London (1912–13) is one of his more notable works; the tall red brick structure occupies a limited space in a densely built-up corner of New Quebec Street and Bryanston Street and features an array of flying buttresses. The Mediæval-revival interior is noted for its completely vaulted structure and visual height; the windows are placed high to eliminate street noise, the organ is placed in a gallery above the sanctuary and the nave is dominated by a striking triumphal crucifix atop an arch (Robert Bridgeman of Lichfield). Tapper designed the internal fittings including the organ casing and the high altar reredos, executed by Jack Bewsey who also designed most of the stained glass. As part of his diploma work for the Royal Academy, Tapper submitted a watercolour of the Annunciation church exterior painted by the architectural artist Charles Gascoyne, indicating that Tapper considered this building to be one of his most successful projects.

In addition to church building, Tapper was also engaged in ecclesiastical decorative fittings and ornaments. The ornate entrance to the choir at Ludlow Parish Church is his work, as is the gilded altarpiece in St Chad's, Stafford and the organ casing and font cover in St Wulfram's Church, Grantham, and he designed a silver processional cross for York Minster. He also enjoyed a lucrative arrangement with the Gas Light and Coke Company, designing appliance showrooms in the Art Deco Streamline Moderne style.

Notable buildings & projects

Photo	Building	Location	Date	Notes
75px	Church of the Ascension, Malvern Link	Malvern, Worcestershire	1903
	St Erkenwald, Southend-on-Sea	Southend-on-Sea	1905–10	Demolished 1995
	Church of the Resurrection, Mirfield	Mirfield, West Yorkshire	1908
75px	St Oswald's, Lythe	Lythe, North Yorkshire	1910–11	Rebuild of C13 church
75px	Derby Lodge	Shipley Estate, Derbyshire	1911
	St Stephen's, Grimsby	Grimsby	1911–14	demolished 1973/4
	Church of the Annunciation, Marble Arch	Marble Arch, London	1912–13
75px	Guildford Grammar School Chapel	Guildford, Western Australia	1912–14
75px	St Michael's, Little Coates	Little Coates	1915
75px	St Mary's Church, Harrogate	Harrogate, North Yorkshire	1916	Now known as the Kairos Church; closed 2007 owing to structural problems
File:St Mark's Church (small).jpg	St Mark's, Whiteley Village	Whiteley Village, Surrey	1919
75px	Loughborough Carillon	Loughborough, Leicestershire	1919–23
	Memorial Cross	Lancaster Gate, London	1921
75px	Nymans	Haywards Heath, West Sussex	1920s	Stone Tudor-style mansion house; ruined by fire in 1947
75px	Our Lady of Mercy and St Thomas of Canterbury	Gorton, Manchester	1927	Now the Mount Olivet Apostolic Church
	St Oswald's, Preston	Deepdale, Preston	1934	Original building demolished c.1987
75px	Newgate, Chester	Chester city walls	1938	Completed after Tapper's death by his son, Michael

External links

• Sir Walter Tapper & His Churches