Decision to Leave
Decision to Leave | |
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File:Decision to Leave film poster.jpg
Theatrical release poster
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Directed by | Park Chan-wook |
Produced by | Park Chan-wook |
Written by | <templatestyles src="Plainlist/styles.css"/>
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Starring | <templatestyles src="Plainlist/styles.css"/> |
Music by | Jo Yeong-wook |
Cinematography | Kim Ji-yong |
Edited by | Kim Sang-bum |
Production
company |
Moho Film
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Distributed by | CJ Entertainment |
Release dates
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<templatestyles src="Plainlist/styles.css"/>
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Running time
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139 minutes |
Country | South Korea |
Language | Korean |
Box office | US$22.4 million[1][2] |
Decision to Leave (Hangul: 헤어질 결심; hanja: 헤어질 決心; RR: Heeojil gyeolsim; lit. Resolution to Break Up) is a 2022 South Korean romantic mystery film produced, co-written and directed by Park Chan-wook. It stars Tang Wei and Park Hae-il.[3]
In April 2022, the film was selected to compete for the Palme d'Or at the 2022 Cannes Film Festival,[4][5] where Park Chan-wook won Best Director.[6] Decision to Leave was released theatrically on 29 June 2022 in South Korea.[7] The film received acclaim from critics, who praised Chan-wook's direction, the cinematography, and the performances of Hae-il and Wei. It was selected as the South Korean entry for the Best International Feature Film at the 95th Academy Awards,[8] making the December shortlist.[9] It was also named one of the top 5 international films of 2022 by the National Board of Review.[10]
Contents
Plot
An insomniac detective, Hae-Jun, works in Busan and only sees his wife, Jung-An, a nuclear power plant worker residing in Ipo, once a week. Hae-Jun and his partner, Soo-Wan, encounter a case where a retired immigration officer, Ki Do Soo, is found dead at the foot of a mountain he often climbed. They interview his much younger wife, Seo-Rae, an emigrant from China who works as a caretaker for seniors. They suspect her because of her insufficient displays of grief, a scratch on her hand, bruises on her legs and torso, and a tattoo of Ki's initials in the manner that he marked his other belongings.
Hae-Jun does nightly stakeouts outside of Seo-Rae's apartment building, becoming obsessed with her and imagining himself inside her apartment. Seo-Rae discovers him stalking her and tails his other investigations in turn. Seo-Rae's Monday client says that Seo-Rae was with her on the day that Ki died. Seo-Rae admits that in China, she killed her mother with fentanyl pills because her mother was terminally ill and asked her to do so. Before dying, she told Seo-Rae to go to Korea to claim the mountain her Korean grandfather, an independence fighter in Manchuria, had left her. Soo-Wan and Hae-Jun discover letters from Ki admitting to being a corrupt immigration official and a letter sent to Ki's subordinate that they interpret as a suicide letter. Hae-Jun concludes that the death is a suicide and informs Seo-Rae that she is no longer a suspect.
Seo-Rae and Hae-Jun go on a date at a Buddhist temple, visit each other's homes, and become close. Seo-Rae burns the photo evidence from her husband's case, reasoning that Hae-Jun's insomnia is caused by his haunting cases. One day, she has Hae-Jun substitute for her at her Monday client. Hae-Jun learns that Seo-Rae and the client have the same model of cell phone, and the client has dementia and does not know the day of the week. On the client's cell phone, he sees that the housebound woman apparently walked up 138 flights of stairs on the day of Ki's death. Hae-Jun realizes that Seo-Rae switched phones with her client on the day of the murder and then climbed the mountain to push Ki off. She also forged his suicide note and got close to Hae-Jun to destroy his evidence. Hae-Jun tells Seo-Rae that she has destroyed his pride in his job and that, since meeting her, he has become "shattered", but instructs her to throw the incriminating phone into the sea.
Thirteen months later, Hae-Jun has moved to Ipo to live with Jung-An after developing depression and more severe insomnia. At the fish market with Jung-An, he encounters Seo-Rae with Im Ho-Shin, her new husband, a business investor. The next day, Ho-Shin is found dead in his mansion's swimming pool. Hae-Jun is convinced Seo-Rae is the culprit. She admits only to draining the pool so that Hae-Jun would not be disturbed by the blood. Sa Cheol-Seong, a Chinese immigrant, soon confesses to killing Ho-Shin for defrauding his late mother of millions of dollars. Sa denies that Seo-Rae played any role and reveals he had installed a tracker on Seo-Rae's phone so he knew where she was at all times.
Hae-Jun confronts Seo-Rae at the mountain her grandfather left her. She tells him that Ho-Shin had discovered a phone recording where Hae-Jun told Seo-Rae that he loved her and he had threatened to expose their illicit relationship. Hae-Jun doesn't recall telling Seo-Rae that he loved her, though she says she began loving him as he stopped loving her. She reaches Hae-Jun at the edge of the mountain and hugs him. They kiss passionately. Jung-An leaves Hae-Jun when he returns home, suspecting an affair with Seo-Rae.
The next day, Hae-Jun learns that Seo-Rae visited Sa's mother in the hospital and the mother died later that day. He concludes that Seo-Rae slipped the mother the remaining fentanyl pills she had in her possession, because Sa had threatened to kill Ho-Shin as soon as his mother died. Hae-Jun tracks Seo-Rae's phone via the tracker Sa installed on her phone and chases her to a beach. There, he finds her empty car and the cell phone with the recording on the dashboard. He plays the recording, and it contains his instructions for Seo-Rae to destroy the phone with incriminating evidence from Ki's case. Further out on the shore, Seo-Rae digs a pit in the sand and gets in it as the tide rises, letting it drown and bury her. Hae-Jun arrives at the beach and is unable to find Seo-Rae, although she is actually buried in the sand beneath him. He searches desperately for her and cries in anguish.
Cast
<templatestyles src="Div col/styles.css"/>
- Tang Wei as Song Seo-rae
- Park Hae-il as Det. Jang Hae-jun
- Lee Jung-hyun as Jung-an
- Go Kyung-pyo as Soo-wan
- Park Yong-woo as Im Ho-shin
- Kim Shin-young as Yeon-su[11]
- Jung Yi-seo as Yoo Mi-ji[12]
- Jung Young-Sook as Granny Hae Dong a.k.a. "Monday granny"[13]
- Yoo Seung-mok as Ki Do-soo[14]
- Park Jeong-min as San-oh[11]
- Seo Hyun-woo as Sa Cheol-seong "Slappy"[11]
- Teo Yoo as Director Lee[11]
- Go Min-si as Shaman[11]
- Lee Hak-joo as Lee Ji-gu[14]
- Jeong Ha-dam as Oh Ga-in[14]
- Choi Dae-hoon as sleep clinic doctor[15]
- Joo In-young as caregiver company director
- Jung So-ri as 'Oppa' PC room part-timer[16]
Production
The film is produced by Moho Film and is financed and distributed by CJ Entertainment. It began principal photography in October 2020.[17][18]
Release
Decision to Leave was selected to compete for the Palme d'Or at the 2022 Cannes Film Festival to be held from 17 to 28 May 2022.[19] It screened for the first time at the Lumière Grand Theater on 23 May 2022 and was subsequently released theatrically in South Korea on 29 June 2022.[20] According to CJ E&M, the film was sold to 192 countries ahead of its premiere in competition at Cannes.[21][22]
In April 2022, streaming service Mubi acquired the rights to release the film in North America, the United Kingdom and Ireland, India and Turkey, to be streamed after its theatrical release later in the year.[23]
Decision to Leave had its North American premiere at the Toronto International Film Festival in September 2022,[24] and its US premiere at Fantastic Fest Film Festival took place in the same month.[25] It was released theatrically in the United States and United Kingdom on 14 October 2022,[26] and in Australia in the same week.[27]
Reception
Box office
The film was released on 29 June 2022 on 1,374 screens.[2][28] It opened at first place on Korean box office with 114,592 admissions.[29][30] On 13 July, after two weeks of release, the film surpassed 1 million cumulative admissions.[31]
As of 7 January 2023[update], it is the tenth highest-grossing Korean film of 2022, with a gross of US$15,589,120 and 1,893,954 admissions.[2]
Critical response
On Rotten Tomatoes, 94% of 185 reviews of the film are positive, with an average rating of 8.3/10. The website's critics consensus reads "If Decision to Leave isn't quite on the same level as Park Chan-wook's masterpieces, this romantic thriller is still a remarkable achievement by any other metric."[32] Metacritic assigned the film a weighted average score of 84 out of 100 based on 44 critic reviews, indicating "universal acclaim".[33]
David Rooney of The Hollywood Reporter, praising the director Park Chan-wook, wrote "A world-class artist at the top of his game...all while navigating multilayered plots that continue to deliver surprises right up until the end. It's a luxury to put yourself as a viewer in such capable hands."[34]
Peter Howell of Toronto Star rated the film 4 out of 4 and wrote "every frame is like a painting, with hints to character motivation and plot twists."[35]
Rafael Motamayor of Slash Film rated the film 7 out of 10 and wrote "This [the film] is not as surprising or innovative as director Park's earlier work, but it is still a fascinating and exquisitely directed film about desire, regret, and love."[36]
Luke Goodsell of the Australian Broadcasting Corporation called the film "a testament to Park's undimmed talent...Decision to Leave is one of his best".[27]
Accolades
Award ceremony | Year | Category | Nominee / Work | Result | Ref. |
---|---|---|---|---|---|
Alliance of Women Film Journalists | 2023 | Best Non-English Language Film | Decision to Leave | Won | [37] |
Asia Pacific Screen Awards | 2022 | Best Screenplay | Park Chan-wook, Jeong Seo-kyeong | Nominated | [38] |
Asian Film Awards | 2023 | Best Film | Decision to Leave | Pending | [39] |
Best Director | Park Chan-wook | Pending | |||
Best Actor | Park Hae-il | Pending | |||
Best Actress | Tang Wei | Pending | |||
Best Screenplay | Jhung Seo-kyung, Park Chan-wook | Pending | |||
Best Editing | Kim Sang-bum | Pending | |||
Best Cinematography | Kim Ji-yong | Pending | |||
Best Music | Jo Yeong-wook | Pending | |||
Best Production Design | Ryu Seong-hie | Pending | |||
Best Sound | Kim Suk-won | Pending | |||
Asian Journalists Association | 2022 | AJA Awards | Park Hae-il | Won | [40] |
Austin Film Critics Association | 2023 | Best Director | Park Chan-wook | Pending | [41] |
Best International Film | Decision to Leave | Pending | |||
Blue Dragon Film Awards | 2022 | Best Actor | Park Hae-il | Won | [42][43] |
Best Actress | Tang Wei | Won | |||
Best Director | Park Chan-wook | Won | |||
Best Film | Decision to Leave | Won | |||
Best Music | Jo Yeong-wook | Won | |||
Best Screenplay | Park Chan-wook, Jeong Seo-kyeong | Won | |||
Popular Star Award | Go Kyung-pyo | Won | |||
Best Art Direction | Ryu Seong-hee | Nominated | |||
Best Cinematography and Lighting | Kim Ji-yong, Shin Sang-yeol | Nominated | |||
Best Editing | Kim Sang-beom | Nominated | |||
Best New Actress | Kim Shin-young | Nominated | |||
Best Supporting Actor | Go Kyung-pyo | Nominated | |||
Best Supporting Actress | Lee Jung-hyun | Nominated | |||
Technical Award | Kwak Jeong-ae | Nominated | |||
Boston Society of Film Critics | 2022 | Best Editing | Kim Sang-bum | Won | [44] |
British Independent Film Awards | 2022 | Best International Independent Film | Park Chan-Wook, Chung Seo-Kyung | Nominated | [45] |
Buil Film Awards | 2022 | Best Actor | Park Hae-il | Won | [46][47] |
Best Actress | Tang Wei | Won | |||
Best Cinematography | Kim Ji-yong | Won | |||
Best Film | Decision to Leave | Won | |||
Best Music | Jo Yeong-wook | Won | |||
Art and Technology | Ryu Seong-Hie | Nominated | |||
Best Director | Park Chan-wook | Nominated | |||
Best Screenplay | Jeong Seo-kyeong, Park Chan-wook | Nominated | |||
Busan Film Critics Awards | 2022 | Best Actor | Park Hae-il | Won | [48] |
Cannes Film Festival | 2022 | Best Director | Park Chan-wook | Won | [6] |
Palme d'Or | Decision to Leave | Nominated | |||
Chicago Film Critics Association | 2022 | Best Cinematography | Kim Ji-Yong | Won | [49][50] |
Best Director | Park Chan-wook | Nominated | |||
Best Best Editing | Kim Sang-beom | Nominated | |||
Best Film | Decision to Leave | Nominated | |||
Best Foreign Language Film | Won | ||||
Chunsa Film Art Awards | 2022 | Best Actor | Park Hae-il | Won | [51][52] |
Best Actress | Tang Wei | Won | |||
Best Director | Park Chan-wook | Won | |||
Best Screenplay | Jeong Seo-kyung | Nominated | |||
Technical Award | Kim Ji-yong | Nominated | |||
Cine21 Awards | 2022 | Actor of the Year | Park Hae-il | Won | [53] |
Actress of the Year | Tang Wei | Won | |||
Critics' Choice Movie Awards | 2023 | Best Foreign Language Film | Decision to Leave | Pending | [54] |
Critics Choice Awards Asian Pacific Cinema & Television |
2022 | Director Award | Park Chan-wook | Won | [55] |
Dallas–Fort Worth Film Critics Association | 2022 | Best Foreign Language Film | Decision to Leave | Won | [56] |
Florida Film Critics Circle | 2022 | Best Actor | Park Hae-il | Runner-up | [57] [58] |
Best Actress | Tang Wei | Runner-up | |||
Best Director | Park Chan-wook | Won | |||
Best Cinematography | Kim Ji-yong | Won | |||
Best Foreign Language Film | Decision to Leave | Won | |||
Best Original Screenplay | Park Chan-wook, Jeong Seo-Gyeong | Won | |||
Best Picture | Decision to Leave | Runner-up | |||
Georgia Film Critics Association | 2023 | Best Actor | Park Hae-il | Pending | [59] |
Best Actress | Tang Wei | Pending | |||
Best Director | Park Chan-wook | Pending | |||
Best International Film | Decision to Leave | Pending | |||
Best Picture | Pending | ||||
Golden Cinematography Awards | 2022 | Best Director | Park Chan-wook | Won | [60] |
Best Actor | Park Hae-il | Won | |||
Best Actress | Tang Wei | Won | |||
Golden Globe Awards | 2023 | Best Motion Picture – Foreign Language | Decision to Leave | Nominated | [61] |
Gotham Independent Film Awards | 2022 | Best International Feature | Nominated | [62] | |
Grand Bell Awards | 2022 | Best Actor | Park Hae-il | Won | [63] |
Best Film | Decision to Leave | Won | |||
Best Screenplay | Park Chan-wook, Jeong Seo-kyeong | Won | |||
Best Actress | Tang Wei | Nominated | [64] | ||
Best Art Direction | Ryu Seong-hee | Nominated | |||
Best Cinematography | Kim Ji-young | Nominated | |||
Best Costume Design | Kwak Jeong-ae | Nominated | |||
Best Director | Park Chan-wook | Nominated | |||
Best Film Editing | Kim Sang-beom | Nominated | |||
Best Lighting | Shin Sang-yeol | Nominated | |||
Best Music | Jo Yeong-wook | Nominated | |||
Hollywood Critics Association Awards | 2023 | Best Director | Park Chan-wook | Pending | [65] |
Best International Film | Decision to Leave | Pending | |||
Hollywood Critics Association Creative Arts Awards | 2023 | Best Editing | Kim Sang-bum | Pending | [66] |
Houston Film Critics Society | 2023 | Best Foreign Language Feature | Decision to Leave | Pending | [67] |
Jerusalem Film Festival | 2022 | Best International Film | Decision to Leave | Nominated | [68] |
Korean Association of Film Critics Awards | Best Actress | Tang Wei | Won | [69] | |
Best Cinematography | Kim Ji-young | Won | |||
Best Director | Park Chan-wook | Won | |||
Best Music | Jo Yeong-wook | Won | |||
Best Picture | Decision to Leave | Won | |||
Best Screenplay | Park Chan-wook, Jeong Seo-kyeong | Won | |||
Korean Association of Film 10 selections of Kim Hyun-seung | Decision to Leave | Won | |||
Korean Film Producers Association Award | Best Film | Won | [70] | ||
Best Screenplay | Park Chan-wook, Jeong Seo-kyeong | Won | |||
Best Actress | Tang Wei | Won | |||
Best Supporting Actress | Kim Shin-young | Won | |||
Best Music and light | Jo Yeong-wook, Shin Sang-yeol | Won | |||
LACMA Art + Film Gala | Art+Film Gala | Park Chan-wook | Won | [71] | |
London Film Critics' Circle | 2023 | Director of the Year | Park Chan-wook | Pending | [72] |
Film of the Year | Decision to Leave | Pending | |||
Foreign Language Film of the Year | Pending | ||||
Technical Achievement Award | Kim Ji-yong | Pending | |||
Miskolc International Film Festival | 2022 | Emeric Pressburger Prize | Decision to Leave | Nominated | [73] |
National Board of Review | 2022 | Top Five Foreign Language Films | Won | [74] | |
National Society of Film Critics | 2023 | Best Cinematography | Kim Ji-yong | 3rd place | [75] |
Best Director | Park Chan-wook | Runner-up | |||
Best Foreign Language Film | Decision to Leave | 3rd place | |||
New Mexico Critics Awards | 2022 | Best Supporting Actress | Tang Wei | Won | [76] |
Oslo Films from the South Festival | Silver Mirror | Decision to Leave | Nominated | [77] | |
San Diego Film Critics Society | 2023 | Best International Film | Nominated | [78] | |
San Francisco Bay Area Film Critics Circle | 2023 | Best International Feature Film | Won | [79] | |
Best Cinematography | Kim Ji-yong | Nominated | |||
Satellite Awards | 2022 | Best Motion Picture – International | Decision to Leave | Pending | [80] |
Seattle Film Critics Society | 2023 | Best Cinematography | Kim Ji-yong | Pending | [81] |
Best Film Editing | Kim Sang-beom | Pending | |||
Best Film Not in the English Language | Decision to Leave | Pending | |||
Best Picture | Pending | ||||
Best Screenplay | Park Chan-wook, Chung Seo-kyung | Pending | |||
St. Louis Gateway Film Critics Association | 2022 | Best International Film | Decision to Leave | Won | [82] |
Best Original Screenplay | Park Chan-wook, Gong Seo-kyeong | Nominated | |||
Sunset Circle Awards | 2022 | Best Actress | Tang Wei | Nominated | [83] |
Best Director | Park Chan-wook | Nominated | |||
Best Editing | Kim Sang-beom | Nominated | |||
Best Screenplay | Park Chan-wook, Jeong Seo-kyeong | Nominated | |||
Best Film | Decision to Leave | Nominated | |||
Best International Feature | Runner-up | [84] | |||
Toronto Film Critics Association | 2023 | Best International Feature Film | Runner-up | [85] | |
Valladolid International Film Festival | 2022 | José Salcedo Award for Best Editing | Kim Sang-beom | Won | [86] |
Golden Spike (Best Picture) | Decision to Leave | Nominated | |||
Washington D.C. Area Film Critics Association | 2022 | Best International/Foreign Language Film | Won | [87] | |
Women in Film Korea Festival | 2022 | Best Screenplay | Jeong Seo-kyeong | Won | [88] |
Listicle
Publisher | Year | Listicle | Placement | Ref. |
---|---|---|---|---|
Polygon | 2022 | The Best Movies of 2022 | 2nd | [89] |
IndieWire | 2022 | The 25 Best Movies of 2022 | 5th | [90] |
The New York Times | 2022 | Best Movies of 2022 | 8th | [91] |
The Guardian | 2022 | Best Movies of 2022 in the US | 9th | [92] |
The Independent | 2022 | The Best Films of 2022, Ranked. | 12th | [93] |
Empire | 2022 | The Best Movies of 2022 | 17th | [94] |
The Hollywood Reporter | 2022 | Critics Pick the Best Films of 2022 | 2nd | [95] |
See also
- List of submissions to the 95th Academy Awards for Best International Feature Film
- List of South Korean submissions for the Academy Award for Best International Feature Film
References
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- ↑ https://www.koreanfilm.or.kr/eng/films/index/filmsView.jsp?movieCd=20209654
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External links
- Decision to Leave at IMDbLua error in Module:EditAtWikidata at line 29: attempt to index field 'wikibase' (a nil value).
- Decision to Leave at the Korean Movie Database
- Decision to Leave at HanCinema
- Decision to Leave at Naver Movies
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- Articles with short description
- Use dmy dates from December 2022
- Articles with invalid date parameter in template
- Pages with broken file links
- 2022 films
- Korean-language films
- Articles containing Korean-language text
- Articles containing potentially dated statements from January 2023
- 2022 multilingual films
- 2022 independent films
- 2022 romance films
- 2022 thriller films
- 2020s Korean-language films
- 2020s Mandarin-language films
- 2020s mystery thriller films
- 2020s romantic thriller films
- 2020s South Korean films
- CJ Entertainment films
- Films directed by Park Chan-wook
- Films set in Busan
- Films set in Gyeonggi Province
- Police detective films
- South Korean multilingual films
- South Korean mystery thriller films
- South Korean neo-noir films
- South Korean romantic thriller films